“Two Modernizations: Widescreen Cinema, Film Art Discourses, and U.S. Aid in 1950s Taiwanese Film Culture,” Cinéma and Cie 25, no. 45 (2026): 113-131. https://doi.org/10.54103/2036-461X/28883

“Wu Feng: Taiwan dianying zhipianchang de xiandai dianying zhuixun” [No Greater Love, or Wu Feng (1962): Taiwan Film Studio’s search for “modern cinema”]. Taiwan Historical Research (臺灣史研究) 31, no. 2 (2024): 87–133. (THCI Core)

“Useful Experimental Cinema: USIA’s Experimental Film Programming and the Film Culture in Taiwan, 1973–1979.”Journal of e-Media Studies 6, no. 1 (2022): 1–25. https://doi.org/10.1349/PS1.1938-6060.A.478.

Review of Island in Between (2024)

Review of Teri Silvio’s Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan  (2019). Mechademia.

Interview with Gabriella Lukacs about her book Invisibility by Design (2020). CaMP Anthropology Blog